I wish to acknowledge and pay respect to the Elders and Traditional Owners of the lands and waters on which this study was conducted. I acknowledge First Nations connection to material and creative practice which has existed on these lands for more than 60,000 years, and celebrate their enduring presence and knowledge. I pay my respects to their Elders past, present and emerging. I take this opportunity to acknowledge those who have helped me along this path of doctoral study: My supervisors, Lisa and Kate, for joining my research journey and exciting possibilities with me (and within me), guiding emergent insights and caring for the curiosity that kindles doctoral research. To Fiona Young, my PhD collaborator on the ‘Making Space’ project. Our project would not have been possible without Fiona’s tenacity and sheer generosity. Fiona genuinely inhabits the spirit of collaboration. I would also like to thank all the teachers who engaged with our project and gave us so much of their precious time. It was a privilege to be part of your world through conversations about practice. I would like to thank all those in Wonderlab for the seriously playful conversations that stoked the liminal becoming vital to this PhD. A special thanks to Allison Edwards for the time, boundless energy and resources shared with me as I embarked on this co-design journey. Thank-you Ally. This research was supported by an Australian Government Research Training Program (RTP) Scholarship.
This research was made possible through the generosity of the Innovative Learning Environments and Teacher Change (ILETC) program, an ARC Linkage Project (2016—2020). My sincere thanks to Wes Imms for inviting me to be part of the ILETC. Thank-you to Marian Mahat, Joann Cattlin and Sarah Healy, and to all those who I’ve met over the course of the program’s productive duration. The invitation to collaborate with such an incredible team of dedicated researchers has taught me what it means to practice, share, and apply research.
Thanks everyone
Dion Tuckwell
PhD Candidate, Monash University
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Joining Practice Research Joining Practice Research

Dion Tuckwell © 2021


How might design practice join ways of becoming with collaborative research?


Design practice continues to shift with a ‘social turn’ that has reimagined how we evaluate and position the process of designing. This doctoral study recognises that the socially embedded nature of design has directed research toward the social and dialogic nature of designing. A practice of co-design embedded in this doctoral research is situated within a program of collaborative research, providing an opportunity for a practice-led research project to contribute to how we might form better knowledge around the ongoing re-evaluation of design expertise.

This project within a program situates a co-design practice within complex sets of social relations emerging from within this research setting. This complexity is conceptualised through the work of eco-anthropologist Tim Ingold, who describes the relational networks of humans and objects as an intertwined and knotted ‘life of lines’ in a constant state of becoming. An inquiry into becoming with the research engages the design researcher in a state of methodological disorientation—a mode this study identifies as transformative learning.

Becoming is evidenced in how design practice shifts through the method of joining, adapted from Participant Observation. This research argues that joining enables the designer to learn within the disorientation of data analysis. Joining is developed through speculative experimentation into methodological disorientation, as antecedent design expertise integrates emergent knowledge as an ongoing transformation of design practice. Joining creates analytical frameworks that emerge through a speculative exploration.

This study asks: How might design join ways of being with practice-led collaborative research to shift toward ways of becoming—a mode of transformative learning? Consequently, the study examines how the researchers’ design practice shifts through collaboration. The contribution of this study is a methodological inquiry into how designing might learn through collaborative research, providing useful insights into co-designing for designers shifting toward social design practices.


The following PhD contains two texts—two narratives. The main narrative of this thesis formally
communicates the exegetical text component of this research. This ‘voice’ contains an academic register
appropriate for conveying the expectations of doctoral inquiry.

A second text (another voice), discloses what I refer to as a ‘practice proof’. This
narrative is entangled with the exegetical text; in conversation with the unfolding nature
of this practice research. This voice recognises how design is a relational practice, and
supposes that the relational develops from within a design practice—it is a ‘becoming’
that performs the uncertainty that in turn inhabits this study of shifting practice.
To be clear, a ‘proof’ in this case is not the cogent transaction of ‘evidence’. Rather,
it is an impression of possibility analogous to the ‘artists proof’. This transmits
what emerges as a performance of uncertainty. The ‘proof’ emerges from within the
research—deepening as the inquiry unfolds. The ‘practice proof’ impresses upon us as a
provocation, prompting an engagement with emergence at the site of inquiry.
This proof is akin to a prototype—a test of creative process. We learn and iterate from it.
It reveals (revels in) an impression of the direction the design has taken us in. The proof
makes our work visible and knowable. I’m ‘proofing practice’ throughout this research
because I’m seeking an impression of the thing that codesign practice might reveal.
The transferability of this approach is in how a design researcher might see their
practice shift, and to make it possible to join this shift in meaningful ways.

This doctoral project was made possible by the ‘Innovative Learning Environment and Teacher Change’
(ILETC) program. The ILETC program seeks to investigate the affordance of ‘ILE’s’ in Australian and
New Zealand Secondary Schools, with a focus on how Teacher’s best practice within these new learning
environments. To clarify at the outset, the ‘project’ of this PhD is situated within the ‘program’ of the ILETC.